A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

A host of both very old and entirely new liturgical practices have arisen in digital mediation, from the live-streaming of worship services and "pray-as-you-go" apps, to digital prayer chapels, virtual choirs and online pilgrimages. Cyberspace now even hosts communities of faith that exist entirely online. These digitally mediated liturgical practices raise challenging questions: Are worshippers in an online chapel really a community at prayer? Do avatars that receive digital bread and wine receive communion? @ Worship proposes a nuanced response to these sometimes contentious issues, rooted in familiarity with, and sustained attention to, actual online practices. Four major thematic lines of inquiry form the structure of the book. After an introductory chapter the following chapters look at digital presence, virtual bodies, and online participation; ecclesial communities in cyberspace; digital materiality, visuality, and soundscapes; and finally the issues of sacramental mediation online. A concluding chapter brings together the insights from the previous chapters and maps a way forward for reflections on digitally mediated liturgical practices. @ Worship is the first monograph dedicated to exploring online liturgical practices that have emerged since the introduction of Web 2.0. Bringing together the scholarly tools and insights of liturgical studies, constructive theology and digital media theories, it is vital reading for scholars of Theology and Religion with as well as Sociology and Digital Culture more generally.

Mapping uncharted territory in the study of liturgy's past, this book offers a history to contemporary questions around gender and liturgical life. Teresa Berger looks at liturgy's past through the lens of gender history, understood as attending not only to the historically prominent binary of "men" and "women" but to all gender identities, including inter-sexed persons, ascetic virgins, eunuchs, and priestly men. Demonstrating what a gender-attentive inquiry is able to achieve, Berger explores both traditional fundamentals such as liturgical space and eucharistic practice and also new ways of studying the past, for example by asking about the developing link between liturgical presiding and priestly masculinity. Drawing on historical case studies and focusing particularly on the early centuries of Christian worship, this book ultimately aims at the present by lifting a veil on liturgy's past to allow for a richly diverse notion of gender differences as these continue to shape liturgical life.

2020 Catholic Press Association honorable mention award for faith and science This collection of essays explores the rich and diverse intersections between the world of liturgy and the worlds of creation and the cosmos. The intersections highlighted here include biblical, historical, visual, and musical materials as well as contemporary theological and pastoral challenges for worship today. The essays gathered in this volume were first presented at the 2018 Yale Institute of Sacred Music Liturgy Conference and are here made available to a wider audience. These essays are responses to the unprecedented attention to ecological and cosmological concerns, which call for sustained engagement by scholars and practitioners of liturgy.

This book calls attention to the importance of scholarly reflection on the writing of liturgical history. The essays not only probe the impact of important shifts in historiography but also present new scholarship that promises to reconfigure some of the established images of liturgy's past. Based on papers presented at the 2014 Yale Institute of Sacred Music Liturgy Conference, Liturgy's Imagined Past/s seeks to invigorate discussion of methodologies and materials in contemporary writings on liturgy's pasts and to resource such writing at a point in time when formidable questions are being posed about the way in which historians construct the object of their inquiry.

Liturgy migrates. That is, liturgical practices, forms, and materials have migrated and continue to migrate across geographic, ethnic, ecclesial, and chronological boundaries. "Liturgy in Migration" offers the contributions of scholars who took part in the Yale Institute of Sacred Music's 2011 international liturgy conference on this topic.

Presenters explored the nature of liturgical migrations and flows, their patterns, directions, and characteristics. Such migrations are always wrapped in their social and cultural contexts. With this in mind, these essays recalibrate, for the twenty-first century, older work on liturgical inculturation. They allow readers to better understand contemporary liturgical flows in the light of important and fascinating migrations of the past.

"Teresa Berger is professor of liturgical studies at the Yale Institute of Sacred Music and Yale Divinity School. She is the author of" Fragments of Real Presence: Liturgical Traditions in Women's Hands and Gender Differences and the Making of Liturgical History.

"The Spirit in Worship 'Worship in the Spirit "represents an essential contribution, from the field of liturgical studies, to the vibrant retrieval of the doctrine of the Holy Spirit in contemporary theology. The fifteen authors of this volume are scholars and practitioners from a wide range of traditions, including Pentecostal and charismatic communities as well as voices from outside the modern West. Together they articulate a richly diverse understanding of the presence of the Holy Spirit, grounded both in the practice of worship and in the scholarly reflection that attends to this practice of faith. Contributors include: N. T. Wright, Bishop of Durham, U.K. Paul F. Bradshaw, University of Notre Dame Teresa Berger, Yale University Maxwell E. Johnson, University of Notre Dame

"Teresa Berger is professor of liturgical studies at Yale's Institute of Sacred Music and at Yale Divinity School. She holds doctorates in both dogmatic theology and liturgical studies. Her recent books include "Women's Ways of Worship" (1999), and"Fragments of Real Presence" (2005). She is also coproducer, of the interactive CD-ROM Ocean Psalms."

"Bryan D. Spinks, DD (Dunelm, UK), is Goddard Professor of Liturgical Studies and Pastoral Theology at Yale Divinity School. He is the author of numerous books and articles, and is coeditor of the "Scottish Journal of Theology." Spinks is a former consultant to the Church of England Liturgical Commission, president emeritus of the Church Service Society of the Church of Scotland, and a fellow of the Royal Historical Society."

With its focus on narratives, its attention to contextual and material realities, and its collection of women-identified liturgies in global context, "Dissident Daughters" claims prominence within the growing literature on women's ways of worship. This book not only introduces liturgical texts, but focuses on the communities that create and celebrate these liturgies. "Dissident Daughters" gives voice to the women activists in these communities who show how their communities came into being; how social, cultural, and political realities shaped them and their liturgies; and how they envision their lives in and as communities of faith. In drawing the different narratives together, "Dissident Daughters" displays the expanse of the worldwide expression of women's rites, and how each is shaped by distinctly different contexts of struggle and hope.

The richness of recent research on women's worship gives witness to the scholarly interest in its"contemporary" practice, reflection, and construction. On the other hand, feminist scholarship has had little impact on liturgical "historiography." In "Women's Ways of Worship" Teresa Berger reconstructs liturgical history from the perspectives of women. She shows that the invisibility of women in the traditional liturgical narrative draws into question the credibility of that narrative, especially at a time when research into women's history has unearthed much material relevant to women's liturgical lives.

Berger focuses on thirteen key interpretative principles that guide the reconstruction of women at worship - from a re-configuration of the canon of sources and a re-Visioning of liturgical periodization to re-interpretation of anthropological basics and of liturgical texts. On the basis of these principles, she analyzes liturgical dynamics in two time periods crucial to the history of women at worship: the early centuries of the Christian Church and the twentieth-century liturgical renewal. Within the twentieth-century liturgical renewal, Berger focuses on two specific foci of renewal: the classical liturgical movement of the first half of the century, and - as a case of history-in-the- making" - the women's liturgical movement of the present day.

"Women's Ways of Worship" narrates both past and present liturgical developments from the perspectives of women's lives, heeding such dynamics as the genderization of liturgical space, women- specific liturgical taboos, gender-specific devotional practices, and the emergence of feminist liturgies. An epilogue confronts the question of a future liturgy "beyond gender."

Convinced that reconstructing the history of women at worship will offer a new Vision of the place of the women's liturgical movement within liturgical history as a whole, Berger puts this movement on a continuum of women at worship, which is a continuum of struggle against the historic marginalization of women in most liturgical contexts. As this struggle has come to the forefront today, "Women's Ways of Worship" provides a context for change, with women themselves being agents of both the questioning and the transformation.

Chapters are "Reconstructing Women's Ways of Worship: In Search of Methodological Principles," "Liturgical History Re-Constructed (I): Early Christian Women at Worship," "Liturgical History Re- Constructed (II): Women in the Twentieth-Century Liturgical Movement," and "Liturgical History in the Making: The Women's Liturgical Movement."

"Teresa Berger is associate professor of Ecumenical Theology at the Divinity School of Duke University, Durham, North Carolina. She is the author of numerous books and contributor to a variety of journals including "Worship," published by The Liturgical Press.""

Of the many hymnbooks published by John and Charles Wesley, the most important was A Collection of Hymns for the Use of the People Called Methodists (1780). Taking this volume as a case study and concentrating on the Charles Wesley hymns included in it, Teresa Berger clarifies the relationship between the language of doxology of worship and praise of God and the substance of theological reflection. She identifies the central theological themes and emphases in this body of hymnody, and raises the question of how theology can be embodied in hymns. Central to her argument is the claim that the theological analysis of doxological material is possible only when it takes care to recognize and safeguard the characteristics, the criteria of authenticity, and the tests of authority and legitimacy peculiar to doxological language. Part One of the book sets the whole discussion within the context of a renewed interest in doxological and liturgical traditions across Christianity by showing how the relationship of doxology and theology is an important topic of theological discussion in Roman Catholic, Protestant, Orthodox, and ecumenical circles. Part Two is devoted to a thorough theological analysis of the central themes and images of the 1780 Collection. Part Three attempts to clarify the nature of doxology in its relation to theology.

Mapping uncharted territory in the study of liturgy's past, this book offers a history to contemporary questions around gender and liturgical life. Teresa Berger looks at liturgy's past through the lens of gender history, understood as attending not only to the historically prominent binary of "men" and "women" but to all gender identities, including inter-sexed persons, ascetic virgins, eunuchs, and priestly men. Demonstrating what a gender-attentive inquiry is able to achieve, Berger explores both traditional fundamentals such as liturgical space and eucharistic practice and also new ways of studying the past, for example by asking about the developing link between liturgical presiding and priestly masculinity. Drawing on historical case studies and focusing particularly on the early centuries of Christian worship, this book ultimately aims at the present by lifting a veil on liturgy's past to allow for a richly diverse notion of gender differences as these continue to shape liturgical life.